Author: A. J. Sharpe

GIVE THEM AN INCH AND THEY WILL TAKE A MILE: A rant about generative AI and media consumption

(TL: DR) You have a moral imperative to not give money to companies that use generative AI, no matter how much you want to consume that media.

Recently in the news there has been plenty of stories about media companies, within the film industry in particular, that have been using AI generated images to cut corners in their work. While this has outraged many people who value the beautiful and hard work of human creatives, the more passive consumers of media tend to take a stance of “what’s the big deal, it was just five seconds/an ad/etc?”

So, what is the big deal?

GENERATIVE AI IS THEFT

Whether it is AI generated art or stories, or even voice-over, all AI generators must learn from something. Unfortunately, that something is more often than not stolen content from actual creatives who have not given permission for their work to picked apart and reassembled by a digital code.

These people put effort into their art—be that images, writing, or voice acting—and that hard work is taken by AI generators with no compensation. These AI generated shams can then be used by cheapskate companies to replace real humans with poor quality rip-offs.

LATE NIGHT WITH THE DEVIL

I was incredibly excited for this movie—a 70s-style television show horror with David Dastmalchian leading? Sign me the fuck up, inject that shit into my veins!

My excitement was squashed when the news came that the studio had used AI generated images for some stills and the background of the set. Suddenly, a movie I was dying to see in theatres became one I refused to see on principle.

When it came out that the directors said that AI had been used but then edited, it was even more confusing—if they had just paid artists initially, they could have avoided ending up with the poorly edited nonsense they put in the movie.

Many people may think my refusal to see it in theatres is an overreaction— “it’s only three stills and the background, the rest of the movie is made by humans!”

My question is why couldn’t all of it been made by humans?

Afterall, it was only three stills and the background.

A24 AND CIVIL WAR

For those who do not know A24, they are an entertainment company. They have produced some films I absolutely adore: Ari Aster’s ‘Hereditary,’ Robert Egger’s ‘The Lighthouse,’ Halina Reijn’s ‘Bodies, Bodies, Bodies,’ and many more.

They are known for films that are original and weird, and often arty.

So, their recent use of AI images to advertise the film Civil War feels like a slap in the face to the fans. It is a complete disregard of the trust and goodwill they have built up in audiences over the years by pretending to champion a wide variety of filmmaker’s strange and unique stories. They have thrown it all away by removing that all-important human element, using poorly done AI to create false advertisements.

They have shown that they are happy to cut out creatives from the process.

How far will they be willing to go in the future?

YOUR MEDIA CONSUMPTION AND THE FUTURE OF AI

“It’s only a little bit here and there, it doesn’t matter!”

It is just the occasional little bit right now, but where does it end?

The truth is this: if the bigwigs in the media companies realise that they can use generative AI and people will still consume their content, then they will happily replace real creatives with it to save money.

Pigs who happily eat slop will not be fed caviar.

“AI is the future, whether you like it or not!”

Lazy and defeatist, this attitude is the only reason generative AI will ever succeed over real creatives.

If you prove to the media companies that they cannot make money with second-rate soulless imagery and writing, then they will not use it. They will do anything to protect the money. That is your leverage as the consumer.

All that needs to happen is your need to fight for quality must outweigh your desire to consume.

“If everything starts using it, what will we watch!”

There is multiple decades of film and television from countries all around the world from a time before generative AI concerns. There are loads of books and comics etc. too, for those worried about other forms of media.

You have plenty to catch up on without worrying about the latest AI generated sell-out.

“But I really want to watch this specific thing right now!”

Find a way to do it without giving the company money. We have the internet—it is not difficult.

Starve them of the money and they will lose incentive to replace real creatives with AI.

“I bet you’ll watch something with AI in!”

Yeah, I can imagine that at some point I will see a movie in the cinema and then it will be in the news that it used AI.

And I will be like “fuck sake” and try better next time.

Just try better next time.

OUT NOW! Divinations Issue 3: Siren

Read it or I’ll drag you down to a watery grave!

As you know, I was an editorial assistant for this issue of Divinations Magazine–you can spot my name under the acknowledgements in the front!

I had so much fun working on this issue and helping edit one of the pieces. I think the final product turned out great and there’s some wonderful stories and poems in it. There are a variety of different takes on the theme, so there is hopefully something for everyone. We’ve got plenty of eeriness and dread, some body horror and blood, and even a little bit of sweet wholesomeness for those less fear-inclined. Some of my personal favourites include ‘Mixtapes for Mermaids’ by Faith Allington, ‘Lumps’ by Maggie Koons, and ‘Drift’ by Ash Morelock.

I hope you enjoy this issue! Feel free to comment your favourite piece below.

“Sea” you for Issue 4! 😉

NEWS: I’m a Divinations Fiction Editor!

Pleased to say that I’m back working at Divinations Magazine, this time as a volunteer fiction editor!

When the opportunity came up to work with the magazine again, I jumped at the chance. The editorial assistant job was so fun and went so well that I was delighted to return.

I won’t say much as of right now, but I’m really looking forward to helping with the next issue. No spoilers, but the vibes for the theme are impeccable and should generate some interesting stories.

Let’s get this party started!

REFLECTING: Volunteer Editorial Assistant Job

My volunteer editorial assistant job at Divinations Magazine has come to an end! Here’s how it went…

For the first stage, I was assigned a couple of pieces to read and assess their suitability for the upcoming issue. The magazine kindly provided a document detailing what sort of things to look out for while reading which helped the process along. Having read the previous issues also made things easier, as I knew what sort of tone and style the magazine was already looking for.

I enjoyed picking apart the pieces and writing the feedback for them, but it was tough to reject something. As an author, turning another person’s piece away felt like I was shooting myself in the gut, but it was unavoidable. The piece in question had a great concept and some beautiful description but lacked focus–hopefully the author will refine it and find a home for it in the future.

The magazine agreed with my feedback and conclusions, and we were able to move onto the next stage: editing.

I was given a very short story–100 words–to edit for the magazine. Again, a handy document on what to look for was provided by the magazine. Nonetheless, this was a tricky job because the author (unsurprisingly) hadn’t made a whole lot of obvious errors in such a short piece. However, when I sat down and really combed through it, I was able to make some style and clarity suggestions that I think made the piece flow better overall.

Luckily, the magazine once again agreed with my ideas and the edits were sent back to the author for approval. (They even agreed with my suggestion of using a semi-colon, a piece of punctuation I am only 85% sure that I know how to use correctly…)

Now, we wait for publication! I’m really looking forward to seeing the final product and getting to read all the other pieces that got accepted. This was such a fun and informative experience and Divinations were great to work for–polite, prompt, and encouraging.

I loved the whole thing, and I am so happy I got to do this.

UPDATE: ‘Bloodthirsty’ Edits Have Arrived!

Excited to say the edit suggestions for my story ‘Bloodthirsty’ landed in my email inbox yesterday! Very happy to see that most of them were just minor word or punctuation changes–just little things to enhance the prose.

There were also some language differences to address. Today, I learned that Canada/America prefer forward/backward over forwards/backwards! (It also turns out I use those words a lot, so bless the editor for going through and deleting all those rogue ‘s’ endings.) There is also grey vs. gray, which I did know about, I just sort of forgot to change…

I also learned a new concept, which my editor called ‘ The Independent Body Rule’. Turns out there were just a few times at the beginning of the story where my character’s body parts–specifically the eyes, it was always the eyes–seemed to be acting of their own accord. Eyes just snapping open or blinking of their volition. I’ve never really given it much thought before, so it was interesting to learn. Now I have a new writing rule to remember in the future: Body parts don’t have agency, characters do.

Anyway: one step closer to publication!

NEWS: I Got a Volunteer Editorial Assistant Job!

At the end of January, I began working for Divinations Magazine, a literary horror magazine that aims to highlight the horror authors of the future. They have two issues out already, available on their website, which include some super interesting stories and poems. Personally, I really enjoyed ‘Why Do Alley Cats Scream At Night?’ by Joshua Luke Cable from Issue 1: Intuition, as well as ‘A Wake’ by Grace Magee and ‘Scream Queen Confessional’ by Sara Roncero-Menendez from Issue 2: Cursed.

Along with the other volunteer assistants, I get to help select and edit works for their upcoming third issue: Sirens. This is such a great opportunity to gain some experience, and it is so cool to see myself on their masthead! It’s a fun theme and it’s interesting to see what people came up with. I’m very excited to see how the final issue ends up turning out!

I owe a huge thanks to my friend, Aline, who was the one who encouraged me to apply for the role! ❤️

Goals for 2024

I’m really bad at keeping resolutions, but it can’t hurt to try, right?

#1: Start a novella

Bringing out the big guns for the first resolution…sort of.

I got plenty of ideas for novellas, but between writing and submitting all the short stories last year, I never really focussed on any of them. This year, I would like to at least try to write some part of a larger narrative–nothing too long, but definitely longer than what I usually write.

I’m not putting pressure on myself to finish it. If I do, then great, but just starting at this stage will make me happy. Taking the first few steps is good enough for me for now.

#2: Comic script

This is a bit vague. It could either mean write a whole new comic script, or maybe even edit and submit the one I wrote for my MA to somewhere?* Either way, I would like to get back into comics, as I truly adored studying them and focussing on them for my Master’s.

Writing a comic script is quite different to writing prose. One thing I like a lot is that when I describe an appearance or a setting to the artist, I can have them hide things for the keen-eyed reader to find! You can tuck things away in backgrounds or use a character’s appearance to imply a backstory and there’s no guarantee a reader will catch it on their first read–the trouble with prose is that I point out the scar on the cheek or the suspicious crack in a glass, then you have to pay attention to it because I’ve wrote it and you’ve read it! But putting things in the script that can be hidden in the art is just so mischievous and fun and something I love about writing comics.

(*Post about that story in the future maybe?)

#3: Dabble in poetry?

I’m not actually totally sure about this one, but I’ve written it now so…I guess I got to try?

I’ve never been a poetry person, but I’ve been considering doing the occasional bit of verse for fun. Back in university I had to do poetry for a couple of modules and I got some good feedback on a few bits and pieces, so I reckon it wouldn’t hurt to try. My mum has always been good at poetry, so maybe she can help me!

#4: Keep on submitting

As I said in the ‘Looking back at 2023’ post, the rejections can get a bit dejecting. But I want to keep on going! If nothing else, the practice will be good.

It’s only the beginning…

I hope to achieve at least all of these goals, but if I don’t then I would not be too mad at simply keeping the same pace as I set in 2023 and only fulfilling resolution number five. I have to remember that I’ve only really just started properly focussing on my stories and that things won’t happen over night. As long as I keep writing, keep submitting, and keep trying, then I have nothing to be ashamed of. Putting myself out there is scary and getting rejections is difficult, but patience and persistence are key!

ACCEPTANCE: ‘Bloodthirsty’

I am pleased to announce that Eerie River Publishing has accepted my short story ‘Bloodthirsty’ as part of their Year of the Tarot horror series! This is my first ever paid publication! It will feature in their ‘Blades’ issue.

Inspired (vaguely) by the legendary Lady of the Lake and mythical sword Excalibur, ‘Bloodthirsty’ is a short horror story about violence and sacrifice. It’s a tragic tale of a scared teen and his encounter with a merciless and sadistic entity.

After discovering a penknife at the bottom of a lake, the bloodthirsty blade compels Flynn to commit violent acts against those who anger him. Unable to get rid of the cursed knife and scared for the safety of those around him, Flynn returns to the lake and resorts to the only solution he can think of…

Looking back at 2023…

What’s improved over the last year?

I have been really trying to write more this year. I have been building my confidence and expanding my skills. Here are the things that I think have gone well this year:

#1 – Submissions

In the last few years since finishing university, I only really found time to write stories for the occasional short story competition, but this year I really upped the output and submitted to a bunch of places!

Finding Horror Tree–a site full of horror anthology open calls–was a major factor in increasing my writing. I picked out a bunch of subjects that sounded up my street and began to write…and write…and write. The fact that many have themes to stick to really helped provide a basis for planning and a direction to aim for that made thinking of stories a lot easier.

I am someone who really needs a deadline if I want to get anything done, so finding these calls and having a specific date to work towards has really helpful in encouraging me to just sit down and write. Even though I enjoy writing so much, I always have trouble transitioning from one task to another–I might be sitting there thinking ‘wow, I really want to write right now’ but somehow still can’t put down my phone–but the deadlines gave me enough external pressure to get me to put away the distractions and focus on my stories.

#2 – Writing Quality

I ended up writing a bunch of short stories–all but one were turned down. Nevertheless, I am super proud that I’ve been putting my work out there and allowing myself to be open to rejection.

All this writing wasn’t for nothing!

Even from the earliest submissions, I can see the growth in my prose. It has been invaluable practice that will only help me in the long run. For example, I’ve found myself working on my descriptions of settings and I adore some of my more recent stories because I’ve managed to conjure what I (and my mum, haha) consider to be some really vivid scenes.

I’ve even began to dabble more in metaphors and similes. I know it sounds silly but I will be the first to admit that I tend to describe things in a very basic way, rarely comparing things to others a way to paint a more thorough picture. But the more I wrote this year, the more I felt comfortable dipping my toe into that sort of description, especially as a way to create imagery that further emphasised the themes of whatever story I was writing at the time.

Writing all these stories also means now I have plenty to edit and send off in the future, to more anthologies with similar or broader themes. At first, it was stressful having to write a new story for every call, but now I have a backlog that can be used when I don’t have the energy to write a whole new tale.

#3 – Accepted!

I got accepted into this year’s Aberystwyth MA Anthology! This is the third year in a row and it’s always nice to know that strangers think something I wrote is good enough to include. It’s not a paid gig, but I’m still really happy that someone out there enjoyed my writing.

They held a launch party in The Bookshop by the Sea and I met some of the other contributors and some of the team who put together the anthology, which was really nice. I went alone, which is another thing I’m proud of–it’s not writing related, but I’ve been trying to do to more things by myself. Going to a place where I knew nobody and chatting to strangers was a bit awkward but I ended up enjoying myself! I am so happy I went–especially because if I hadn’t, I wouldn’t have met the person who told me I was their favourite submission. That was a nice little ego boost!

(Pro-tip: Just admit that you feel nervous. I walked into the bookshop and some of the first words out my mouth were “I walked past three times before coming in because I was building up courage”, and later I asked for a cup of water because I need something to hold in my hands when I’m anxious. Honesty!)

#4 – Reading

I got lucky this year–I moved house in February and we didn’t have WiFi for almost an entire month. Without the distraction of endless phone scrolling, I got time to do a lot of crosswords and a lot of reading.

During university, despite both my BA and MA being in Creative Writing, I could hardly bring myself to read. I used to love reading, but being told what to read and when to read it was horrible and it really sucked the joy out of it–so much so that I ended up essentially not reading anything at all, neither assigned reading or stuff I wanted to read. I felt too guilty about not reading what I was supposed to that I couldn’t bring myself to read the books I wanted to.

(NB. The exception here was comics, which I got into during my second year thanks to a wonderful local comic shop–more about that in a future post maybe?)

This year I challenged myself to read twenty-five books, which was five more than I (only just) managed to read last year. In February this year alone, I managed to read ten, and then another eight in March. The rest of the year went pretty good, with at least one book read a month–except for August, not sure what happened there? But still, overall, my love of reading is making a comeback!

Reading is so helpful to my writing and also very inspiring. For example, I discovered Splatterpunk this year and now I’m very intrigued by the genre–not brave enough to write it yet, but hopefully one day. I didn’t just read horror either–I read some more non-fiction this year, including a great writing book co-authored by one of my amazing lecturers at university! That was a super fun read and a really helpful dive into speculative fiction.

Not too shabby…

I think I’ve done pretty well this year and I’m proud of the progress I’ve made. Being rejected can be disheartening, but I know that I have to keep trying. All this writing is good practice and I think I’m getting better every story!